“For too long the artist has been estranged from his own ‘time.’ Critics, by focusing on the ‘art object’, deprive the artist of any existence in the world of both mind and matter. The mental process of the artist which takes place in time is disowned, so that a commodity value can be maintained by a system independent of the artist. Art, in this sense, is considered ‘timeless’ or a product of ‘no time at all’; this becomes a convenient way to exploit the artist out of his rightful claim to his temporal processes. The arguments for the contention that time is unreal is a fiction of language, and not of the material of time as art. Criticism, dependent on rational illusions, appeals to a society that values only commodity type art separated from the artist’s mind. By separating art from ‘primary process,’ the artist is cheated in more ways than one. Separate ‘things,’ ‘forms,’ ‘objects,’ ‘shapes,’ etc., with beginnings and endings are mere convenient fictions: there is only an uncertain disintegrating order that transcends the limits of rational separations. The fictions erected in the eroding time stream are apt to be swamped at any moment. The brain itself resembles an eroded rock from which ideas and ideals leak..”

– Smithson, The Value of Time, from “A Sedimentation of the Mind: Earth Projects”

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