Chaos & Potential in Painting

Focusing on the substrate of painting, the geologic materiality, its relation of forces, painting can act as a conduit for all kinds of protean impulses. “Paint” as a material (which is hard to define, given its ability to encompass a variety of mixed-media) may release chaotic energies. Chaos is consistently present in the making ofContinue reading “Chaos & Potential in Painting”

Cognitive Map

This cognitive map serves as a means of gathering together materiality, technique and theory that may pertain to my artistic endeavors. The content revolves around employed artistic materials, mythological and philsophical interests, etc., that may provide an assembly of references to my artwork, texts and ramblings. No doubt this map will be altered over theContinue reading “Cognitive Map”

Baroque

Situating your awareness of the ruins (of history and nature) in the present creates a scene where the distance between culture/nature collapses. Culture, as the short cycle of modern materials and their artificial cycle rapid in degeneration and violent destruction, and nature, as a slime dynamics of materia, have never been mutually exclusive categories. …andContinue reading “Baroque”

Does Becoming Need You?

  Images evoked out of material by the painter’s activities could be terms ‘evocation’ – as an activity of painting, introduced in the modern era, where the imagination takes center stage in the pursuit of the expression of the painted object. Within the modern era of ‘isms’ the aim of evocation irradiated in several differentContinue reading “Does Becoming Need You?”

Speculations on Anonymous Materials

  presentation by Iain Hamilton Grant – “The Speculations on Anonymous Materials symposium brings together different approaches in philosophy, which in their own way all aim to go beyond modern and postmodern thinking. The symposium is based on the following hypothesis: The fundamental technological, scientific and socio-political changes at the beginning of the 21st centuryContinue reading “Speculations on Anonymous Materials”