On Frequenting Sacred Shades

Lately I’ve been working on several paintings and an installation for an upcoming group exhibition (6/15/18 – pictures to come). I thought I would attempt to write something around my contribution. My aspiration as an artist is to express dwelling in nature. I choose to live in the countryside rather than the city. I amContinue reading “On Frequenting Sacred Shades”

On the Rhetoric of Painting

As an emergent feature of the Sun’s energy economy, organic life is subject to entropic necessity. Life as a manifestation of necrogenic vitality is inherently entwined with death. Painting, as an intensification of life, is an artifact of the humic indwelling. It is earthbound, composed of the nigreddo of Earth. As an artifact of time’sContinue reading “On the Rhetoric of Painting”

Nature Naturing

“Presumptuous is the artist who does not follow his road through to the end. But chosen are those artists who penetrate to the region of that secret place where primeval power nurtures all evolution.” — Paul Klee, On Modern Art   Nature-Naturing & Nature-Natured For the the sake a simple hypothesis, nature has two dimensions:Continue reading “Nature Naturing”

Imagine Scales That Exceed You

“In relation to the history of organic life of earth,” writes a modern biologist, “the paltry fifty millennia of homo sapiens constitutes something like two seconds at the close of a twenty-four hour day. On this scale, the history of civilized mankind would fill one-fifth of the last second of the last hour.” The present,Continue reading “Imagine Scales That Exceed You”

Site for Indwelling

“Site for Indwelling” latex, oil, foam, polyurethane, wood, beach grass, tar, soil, mirror dimensions: roughly 6’x6′ at Fieldwork    

Notes on Sedimentation of the Mind

A few comments on entropy, the geologic and art. Robert Smithson’s essay┬ámentions the encroachment of technological ideology into art with “technology” and “industry” becoming topes in the New York Art World of the ’50s and ’60s, where he explains, “The products of industry and technology began to have an appeal to the artist who wantedContinue reading “Notes on Sedimentation of the Mind”

Is the Body Obsolete? (On the Body, Woman & Nature)

The following is connected to my previous post Wither the Eye of the Flesh?, moving from the issue of disembodiment in metaphysics into the technological transhumanism and machine-culture, grafting each upon the other to explore nihilism’s apparent dispossession and displacement of the body. Specifically, in the case of the present post, it is the bodyContinue reading “Is the Body Obsolete? (On the Body, Woman & Nature)”