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Beginning Fieldwork Studios around the Summer of 2013, it was apparent that it would by necessity take on the manner of its object of study: change. Over the years it has changed. Several instances stick out, from origins in Landscape & Memory to Gradients: Tracing the Anthropocene, from the exploration of slippage into difference with Not So Solid Earth, to the exploration of woodland remnants with Prima Materia.

That change has been the primary focus included installations and paintings, where the surface became a suspension of energies and forces: all artifacts were subject to modes of transformation, sometimes relatively short and sometimes, perhaps, stretching out into a future without us.

But mere material was never the entire focus.
There was a personality. Forces had a tendency to generate arrangements, even analogies.

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